We watched the advanced screening of M. Night Shyamalan’s Lady in the Water earlier at Megamall. Having been disappointed with “The Village”, “Signs” and “Unbreakable”, I was ready to miss the film. I’m glad we didn’t.
“Lady in the Water” is one of Shyamalan’s best films. Based on a bedtime story written by the director for his children, the movie is about an apartment maintenance man, Cleveland Heep, who discovers a mysterious girl named Story hiding in the complex’s swimming pool. Heep soon realizes, with the help of his Asian tenants, that the girl is a narf, a water nymph, who visited “the world of man” to deliver a message to a writer. Trapped in this world, she tries to return to her own realm, but her life is in danger from a scrunt, a wolf-like creature, which tries to prevent her from taking the journey back. Soon, Heep seeks the help of his tenants to protect the lady from her fanged enemy bent on killing her.
Throughout the film, viewers are introduced to characters who, at first, seemed insignificant but whose importance are revealed as the story progresses: the horizontally challenged sisters, the guy who loves working out, a recluse, a husband whose secrets his wife loves to tell the other tenants, a father-son tandem that loves solving puzzles, a group of “smokers”. Like any Shyamalan film, Lady in the Water has its misleading twists as well as frightening scenes that make viewers jump out of their seats. Keep an eye on the lawn. The monster nearly gave me a heart attack.
Shyamalan plays a bigger role in this project compared to his past films, and his acting has clearly improved. But more than anything, it’s Giamatti’s stuttering and emotionally impaired repairman that is the heart of the story.